Who is Arturo Alfonso Schomburg?

Arturo Alfonso Schomburg (1874–1938) was an Afro-Puerto Rican historian, collector, writer and activist who built one of the most important archives of Black history ever assembled, and whose personal library became the foundation of the Schomburg Center for Research in Black Culture at the New York Public Library in Harlem.

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Quick facts

  • Born: January 24, 1874, Santurce, Puerto Rico (died age 64)
  • Died: June 10, 1938, Brooklyn, New York (complications from dental surgery)
  • Known for: Building the world's premier private collection of African diasporic materials; co-founding the Negro Society for Historical Research; his landmark essay "The Negro Digs Up His Past"; serving as curator of the Schomburg Center for Research in Black Culture
  • Heritage: His mother, Mary Joseph, was a freeborn Black midwife from St. Croix in the Danish West Indies (now the U.S. Virgin Islands); his father, Carlos Federico Schomburg, was a Puerto Rican merchant of German descent.
  • Spouses: Elizabeth Hatcher (married 1895, died 1900); Elizabeth Morrow Taylor (married 1902, died 1907); Elizabeth Green (married 1914)
  • Children: 8

Their story

Arturo Alfonso Schomburg was born in Santurce, Puerto Rico, just one year after the abolition of slavery on the island. While he was in grade school, one of his teachers claimed that Black people had no history, heroes or accomplishments. Inspired to prove the teacher wrong, Schomburg determined that he would find and document the accomplishments of Africans on their own continent and in the diaspora. That single classroom insult set the direction of his entire life.

Schomburg studied at San Juan's Instituto Popular, where he learned commercial printing, and at St. Thomas College in the Danish West Indies, where he studied Black literature. At 17, Schomburg migrated to New York City. He settled in a Puerto Rican section of a Cuban neighborhood in Harlem and joined the Revolutionary Committee of Puerto Rico, supporting Puerto Rico and Cuba becoming independent from Spain.

Very active in the liberation movements of Puerto Rico and Cuba, he founded Las Dos Antillas, a cultural and political group that worked for the islands' independence from Spain. After the collapse of the Cuban revolutionary struggle and the cession of Puerto Rico to the United States, Schomburg, disillusioned, turned his attention to the history and culture of Africa and the African diaspora.

The collection

Schomburg was a noted historian, bibliophile, academic and chronicler of the Black experience. He made it his life's mission to seek out artifacts, historical records and information about the history of Black people both on the African continent and throughout the African diaspora. He hunted down, and often paid for out of his modest salary, books, letters, pamphlets, engravings, manuscripts and artwork documenting people of African descent across the entire diaspora: slave narratives, the poetry of Phillis Wheatley, the writings of Haitian revolutionaries, the records of Black soldiers, scholars, artists and inventors that mainstream institutions hadn't bothered to keep.

In 1911, he co-founded, with journalist John Edward Bruce, the Negro Society for Historical Research, which gathered African, Caribbean and African American scholars. He joined the American Negro Academy and served as its president.

The New York Public Library acquired Schomburg's collection of books, pamphlets, art, artifacts, manuscripts and visual materials with the help of a $10,000 grant from the Carnegie Corporation of New York. The collection, consisting of "2,932 volumes, 1,124 pamphlets, and many valuable prints and manuscripts," arrived in 104 crates. After the sale, Schomburg traveled to Spain, France, Germany and England with funds from the sale to conduct research and acquire new books and materials. He never stopped building.

From 1929 to 1932, Schomburg worked as a curator at Fisk University's library and was instrumental in expanding its collection from 100 to 4,600 items. Back in New York, he was appointed curator of the New York Public Library's Harlem Division. Schomburg served as curator of that collection until his death.

What they wrote

His famous essay "The Negro Digs Up His Past" was published in Survey Graphic magazine, then included that same year in Alain Locke's anthology The New Negro. The essay discussed Black people needing to recover, discover and share their histories to correct the distortions, omissions and untruths told by others. Its most quoted line, drawn directly from the essay, is: "The American Negro must remake his past in order to make his future." He wrote, "World History must restore what slavery took away, for it is the social damage of slavery that the present generations must repair and offset."

Schomburg shared his scholarship by writing for Black periodicals such as The Crisis, Opportunity and The New York Amsterdam News. His published works include Placido, a Cuban Martyr (1909), a pamphlet on the poet Gabriel de la Concepción Valdés, and A Bibliographical Checklist of American Negro Poetry (1916), a pioneering bibliography.

In his own words

"The American Negro must remake his past in order to make his future. Though it is orthodox to think of America as the one country where it is unnecessary to have a past, what is a luxury for the nation as a whole becomes a prime social necessity for the Negro. For him, a group tradition must supply compensation for persecution, and pride of race the antidote for prejudice. History must restore what slavery took away, for it is the social damage of slavery that the present generations must repair and offset." — "The Negro Digs Up His Past," The New Negro (1925)

Why Schomburg matters now

His work inspired figures like John Henrik Clarke and countless others. The institution he seeded, the Schomburg Center for Research in Black Culture, is now a world-class research library holding more than 11 million items. What he did with a librarian's salary and a burning refusal to accept erasure is proof that one person, starting from a slight in a schoolroom, can change what the world knows about itself.

Schomburg was an autodidact who matched wits with university-educated men and women, as well as a prominent Freemason, a writer and an institution-builder. He and John Henrik Clarke shared that same North Star: the history of Black people was not a footnote, and they would spend their lives making that undeniable.

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The books

This follows on from
Who was Dr. John Henrik Clarke?

Dr. John Henrik Clarke was a self-taught Pan-Africanist historian, professor and pioneer who, starting from a freight-train ride out of Jim Crow Georgia, spent his entire life proving that the history of African people was not a footnote to human civilization but its very foundation.

Read that one first

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